Last week we offered a bit of the newish Pete Hamill novel North River, a Depression era tale of a troubled doctor dealing with his demons and with the abandoned three-year-old boy Carlito left on his doorstep.
It’s a good book, a compelling story with memorable characters. At times it seemed like it needed a stronger editor to sharpen up some lazy writing; we suspect it’s hard to tell a literary legend like Pete Hamill to punch up his copy a bit.
Also, people in the novel keep referring to the Depression going on around them. I thought the ‘Great Depression’ phrase itself was born years, or even decades, later, once historians had a little perspective on the Depression. I thought at the time they just called it “this crappy economy” or something. Perhaps I’m wrong.
The North River title comes from the original name of the Hudson River.
This bit, toward the end of the novel, sees our protagonist, Dr. James Delaney, taking his wee grandson Carlito to the beach on a subway that leaves from Union Square.
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They caught the Sea Beach Express at Union Square. The train was packed with men and women and kids, many wearing straw hats, or carrying blankets and lunch baskets, all full of a glad anticipation. He held Carlito’s hand tightly as the laughing crowds parted to allow still more people to board the train. The air was dense. The overhead fans had been shut off long ago, to save money. Many people were sweating heavily. Delaney was sure he could smell tenements.
The train plunged under the river, racing to Brooklyn, racing to the sea. It was as if they all had the same slogan: To hell with the Depression, the sea is free. At the end of the car, the door was open to catch a breeze from the cool tunnel, and four young men started to sing, “Toot, Toot, Tootsie.” Almost all the others joined them. When they came to the line If you don’t get a letter, then you’ll know I’m in jail, they were shouting the words. How many of them had been in jail? More than a few. How many had friends in jail, or relatives, or children? Even more. Toot, Toot, Tootsie, don’t cry, Toot, Toot, Tootsie, good-bye…
Then they were up out of the tunnels, and the Brooklyn sky was above them, with the Brooklyn light glancing off the unseen harbor, just like in a Vermeer. Nobody got off, and nobody new could get on. The singing continued. “That Old Gang of Mine.” Then “My Buddy.” Carlito was planted strongly on the floor, holding a pole, and his visible world was all elbows and hips and knees. the bottoms of baskets, hands dangling or clenched together, and, when he looked up, all chins and nostrils.
Then there was a brightening and then they started coming into the terminal, and the whole car roared. Last stop. Everybody off. Carlito’s eyes were wide with excitement. The train stopped. The doors opened. And some of the passengers began to run toward the ocean and the sand.